2008年第三届南京三年展

TIME|2008-08-26 12:55:48
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2008年第三届南京三年展

 

 

一、主题

 

2008年,“第三届南京三年展”的主题“亚洲方位”不仅表示了方向与位置,而且反映了对亚洲共同体的想象,即都市幻想、社会批判、价值协商、日常关照、宗教与习俗、传统与现代、真实与虚拟。“亚洲方位”是从新的角度对多样的亚洲文化进行重新界定和解读。“亚洲方位”既是在全球化语境中不断探寻亚洲的新方位,又是在动态的亚洲方位中不断确立不同国家主体性的新坐标。中国与印度的崛起,推动了“亚洲方位”的移位。“亚洲方位”是针对亚洲现代化发展进程和亚洲当代艺术现状的思考和分析,反映了现代亚洲发展的潜力与活力,再现了亚洲各国艺术家的想象力与创造力。亚洲既是一个地理概念,在多元化的世界架构中又是一个地缘政治概念。在当代艺术领域,亚洲是一个复杂多元的空间。处于不同民族、传统、宗教、习俗与现代化的际遇中,亚洲当代艺术有着各自截然不同的发展轨迹。它蕴涵着身份与差异、传统与现代、排斥与包容、里与外相关的复杂性、丰富性与多样性。

基于这样的文化特征,“第三届南京三年展”首次以亚洲为对象和主题,试图在亚洲内部发现和建立超越民族国家政治结构的想象空间与对话平台。“第三届南京三年展”在亚洲方位的框架下通过挖掘各国艺术家的不同视点、想象力、创造性,直接切入以下几个层面的当代文化与美学命题:

“日常与超验”

“放大与过滤”

“异位与迷乱”

“虚拟与探针”

因此,“第三届南京三年展”以这样的独特视角探索多样共存的亚洲当代艺术。如果说艺术是一种文化理想的形式,那么以艺术想象来解释和建构亚洲内部对话、协商和交流就格外具有现实意义。

 

二、          语境

 

“南京三年展”的前身为“中国艺术三年展”,自2002年创办之始,关注、鼓励和推动了中国当代艺术的发展,策展团队坚持独立的判断与思考,准确把握中国当代艺术发展的新动向。2002年,艺术评论家彭德和李小山策划的“首届中国艺术三年展”(广州艺术博物馆),再现了中国当代艺术的创作动向。2005年,“第二届中国艺术三年展”(南京博物院)策展人邱志杰、左靖、朱彤,主题为《未来考古学》。主要选择了68年以后的年轻新锐艺术家,推出了多媒体和跨媒体的艺术实验。2008年,“第三届南京三年展”的国际化亚洲视点,导致“中国艺术三年展”更名为“南京三年展”。众所周知,南京在中国历史上曾是六朝古都,尤其在近现代史中,经历了政权更迭、战争灾难与文化发展。“第三届南京三年展”将仍以南京博物院(室内外约1万多平方米)为主要展览空间,把最具活力、动感与创造力的亚洲艺术汇聚一堂,邀请亚洲艺术家赴南京并深入都市生活,根据南京语境与展览空间进行当代艺术创作与展示。

 本届“南京三年展”,将会在南京打造和建构亚洲当代艺术平台,将中国的当代艺术从南京出发,增进与亚洲以及世界当代艺术的对话与交流。“南京三年展”通过可持续性发展,一定会在“亚洲方位”中,确立 “南京三年展”的坐标,为国际当代艺术做出新贡献。

 

2008 The 3rd Nanjing Triennial

 

 

1 The Theme

 

The 3rd Nanjing Triennial 2008, themed as Reflective Asia, not only means directions and positions literally, also reflects an imagination of Asia Community, that is, city fantasy, society criticism, value negotiation, daily attention, religions and customs, tradition and modernity, reality and fiction. Reflective Asia is a redefinition and reinterpretation to diversified Asian cultures from a brand-new respect. Reflective Asia not only continuously explores new positions of Asia within international language situation, also pinpoints the new coordinate of subjectivity from different countries in the dynamical Asia. The amazingly artistic progress of China and India pushes Asian Position forward. Reflective Asia is also a consideration and analysis about development process of Asian modernity and status quo of Asian contemporary art, reflecting the potentiality and vitality of Asian development, and representing imagination and innovation of Asian artists.  Asia is a geography conception, but in multiple world structure, also a conception of geopolitics.  In contemporary art field, Asia is a multiple space with complexity, involving different nations, traditions, religions, customs and modern opportunities. Contemporary art in Asian countries have their own developing trace apparently differing from each other. They embodied identity and difference, tradition and modernity, rejection and compatibility, complexity within or without Asia, richness and diversity.

 

The 3rd Nanjing Triennial firstly take Asia as the object and theme, trying to discover and establish an imaginary space and dialogue platform surpassing the political structure of nation states within Asia. Basing on this point, The 3rd Nanjing Triennial raised the following propositions of contemporary cultures and aesthetics through exploring different view points, imaginations and innovations of artists from different countries.

”Daily and Beyond experience”

Amplification and Percolation”

Heterotopias and Bewilderment”

“Fiction and Probe”

 

Accordingly, the 3rd Nanjing Triennia tries to explore Asian contemporary art which allows differences co-exist, from such a unique angle. If we say arts is an ideal form of culture, it will be of great significance that we try to explain and construct the dialogue, negotiation and exchange within Asia by means of art imagination.    

 

 

2 Linguistic Environments

The Triennial of Chinese Arts, which is changed to Nanjing Triennial, was founded in 2002, focusing, encouraging and promoting Chinese Contemporary Art. The curatorial team adhered to independent judgement and thinking, in order to precisely seize the new orientation of Chinese Contemporary Art. The 1st Triennial of Chinese Arts (Guangzhou Art Museum 2002) , organized by artistic critic Peng De and Li Xiaoshan, representing the creative trend of Chinese Contemporary Art. In 2005, the 2nd Triennial of Chinese Arts (Nanjing Museum 2005) organized by Qiu Zhijie, Zuo Jing and Zhu Tong, took the theme as Archaeology of The Future. We mainly choose young artists born after 1968, producing the multimedia and trans-media experimental art. In 2008, Triennial of Chinese Arts shifts its view point to the whole Asian art,  that is the reason why Triennial of Chinese Arts changed to Nanjing Triennial. As is known to all, Nanjing is an ancient city which had been capitals of six dynasties in Chinese history, which had undergone the frequent supersessions of regime, disastrous wars and cultural developments. Nanjing Museum will still be the main venue for this triennial, whose total area is about 10,000 square meters indoors and outdoors. It surely can bring visitors the most energetic, dynamic and innovative Asia arts. We will invite Asian artists to Nanjing so that they can experience daily life in this city, and then commence their artwork production and presentation according to the linguistic environment and exhibition space in Nanjing.

 This Nanjing Triennial will establish a platform for Asian Contemporary Art, setting Nanjing as the starting line of Chinese Contemporary Art to promote the dialogues and communications on Contemporary Art of Asia or even the whole world. Nanjing Triennial certainly can find its own position within Asia and make a contribution to International Contemporary Art through its sustainable effort and development.

 

 

 

、策展团队介绍

 

策展团队组成:

 

总策展人:黄笃(中国)

策展人:住友文彦(日本)、康在永(韩国)、李振华(中国)

 

策展团队简介:

 

总策展人:黄笃(中国)

1965年生于陕西。2004年获中央美术学院美术学博士学位。2007年完成清华大学博士后。现任北京今日美术馆资深策展人。

主要策展有:

1995年《张开嘴,闭上眼》(北京)。

1999年《第一届墨尔本国际双年展-中国部分》(澳大利亚)。

2000年《后物质》(北京)。

2002年《第二届首尔国际新媒体艺术双年展》(韩国)。

2003年《威尼斯双年展—中国馆》。

2004年《圣保罗双年展中国馆》。

2006年《中国当代:新都市现实》(荷兰鹿特丹Boijmans美术馆)。

2006年《第六届上海双年展》。

2007年《被锯的锯?—王鲁炎个展》(北京阿拉里奥)。

2007年《什么是‘物派’?》(北京东京艺术工程和蟹岛空间)。

2007年《艺术的温度突变层—亚洲浪潮》(德国卡尔斯鲁厄媒体艺术中心)。

2007年《首届今日文献展》(北京今日美术馆)。

文章发表于《读书》、《今日先锋》、《亚太艺术》和《东京森美术馆公共艺术计划》等。

 

HUANG DU (China)

Ph.D.

1965 born in, Shaanxi Province, P. R. China.

He is senior curator of Beijing Today Art Museum, China.

Currently Huang Du works as chief curator of the 3rd Nanjing Triennial 2008, China.

 

1988 Graduated from Art History from the Central Academy of Fine Arts Huang 1988-2001 Worked as an editor for Meishu (Art Magazine) in Beijing

1991-1992 Studied at Bologna University, Italy.

2001-2004 Studied Ph.D. at the Central Academy of Fine Arts from.

2005-2006 Studied Post-Doctor Program at the Academy of Fine Arts of Tsinghua University.   

 

The Brief Curatorial Experience:

2007 What is Mono-ha? , BTAP+BTAP Annex in Xiedao, Beijing

2007 Contributing Curator of Thermocline of Art: New Asian Waves, ZKM Center for Art and Media, Karlsruhe, Germany

2007 Artistic Director of The First Today’s Documents, Beijing Today Art Museum and etc.

2006 Co-Curator of China Contemporary: New Urban Realities, Museum Boijmans van Beuningen, Rotterdam, the Netherlands

2006 The 6th Shanghai Biennale

2004 Chinese Pavilion of the 26th Sao Paulo Biennale

2003 Assistant Curator of Chinese Pavilion of the 50th Venice Biennale

2002 Making China, New York

2002 One of Contributing Curators of The 2nd Seoul International Media Art Biennale, Seoul City Art Museum, Korea

2000 Post Material: Interpretations of Everyday Life by Contemporary Chinese Artists, Beijing

1999 The Chinese Pavilion of the 1st Melbourne International Biennial, Melbourne, Australia

1998 Space and Vision: The Impression of Transmuting Daily Lives in Beijing, Contemporary Art Gallery, Beijing

1995 Co-Curator of Open Your Mouth, Close Your Eyes: Beijing-Berlin Art Communication, Beijing

 

He has written articles on contemporary art for magazines such as Avant-garde Today, Jiangsu Art Monthly, Reading (Dushu), ART Asia-Pacific, and contributed to catalogues for the Biennale of Sydney 1998, The 2nd Seoul International Media Art Biennale,Uh-oh!Pandaman: Zhao Bandi (Aspex Gallery, Ikon Gallery and Manchester Gallery) and Art, Design and the City: Roppongi Hills Public Art Project-1 (Tokyo Mori Art Museum ) , Metropolis M (Amsterdam, The Netherlands), Photofile (Australian Centre for Photography, Australia) and etc.

 

As a speaker and jury, he participated in some important international art symposiums and some art awards. He also is an editor of Avant-garde Today Magazine.

 

 

 

策展人:住友文彦 Fumihiko Sumitomo 日本)

1971年生。现任日本东京当代美术馆资深策展人。Arts Initiative Tokyo的负责人。

主要

策展:

2004年《窗外》(日本国际交流基金会论坛,东京)。

2004年《反应性》(ICC,东京)。

2005年《可能的未来—战后的日本艺术与工艺》

2007年《美丽新世界》(北京798艺术区、广东美术馆)。

主要发表

评论文章:

Rirkrit Tiravanija/Carsten Nicolai/Experimental Workshop(试验艺术研讨会)等。

 

Fumihiko Sumitomo (Japan)

Born in 1971
Senior curator of
Museum of Contemporary Art Tokyo
Deputy director of Arts Initiative Tokyo
 
Curatorial Experience:
2007
Beautiful New World 798+Guandong Art Museum, Beijing/Guangzhou
2005 Possible Futures: Postwar Japanese Art and Technology ICC, Tokyo
2004 Out the Window Japan Foundation Forum, Tokyo
2004 Reactivity 
  ICC, Tokyo
 
Contributed essays on contemporary artists(Rirkrit Tiravanija,Carsten
Nicolai, Experimental Workshop and many others) and museum studies.

 

 

策展人:康在永Kang Jaeyoung韩国)

1971年生。曾任韩国焕基美术馆策展人 1995-1999),世界陶瓷双年展(主策展人 2000-2007)。现居北京,自由策展人。

主要策展:

2007   第四届世界陶瓷双年展《亚洲的皮肤》,利川世界陶瓷中心。

2005 第三届世界陶瓷双年展《超越陶瓷艺术》,利川世界陶瓷中心。

2003   第二届世界陶瓷双年展《韩国现代陶瓷展》,光州朝鲜官窑博物馆。

2001   第一届世界陶瓷双年展《世界瓷器文明展》,韩国,利川世界陶瓷中心。

2000   第三届光州双年展,艺术家工作室计划 ,光州。

1999   金焕基逝世25周年纪念展《白瓷颂》,首尔,焕基美术馆。

1998   焕基奖:《首尔-东京-柏林》,首尔,焕基美术馆。

1997   韩国与澳洲交流展《感觉》,首尔,焕基美术馆;澳洲墨尔本CCP。 

1996   毕加索版画与陶瓷,首尔,焕基美术馆

1995-99   韩国现代年轻艺术家展《检验与矛盾》,首尔,焕基美术馆

 

Kang Jaeyoung  (Korea)

Born in 1971 in Seoul, Korea
B.A. and M.A. in Art theory from Hongik University, Seoul, Korea
 
1995-2000
Curator of Whanki Museum, Seoul, Korea
2000-2007 Chief curator of World Ceramic Biennale, Kyeonggi-do, Korea
Present Lives in Beijing and work as freelancer curator
 
Major Curatorial Experience

2007
Invitational World Contemporary Ceramic Exhibition: Skin of Asia,
2007 The 4th World Ceramic Biennale, Korea
2006-07 Asian Ceramic Delta: Korea, Taiwan, Japan, World Ceramic Center, Icheon,
Korea/Taipei County Yingge Ceramic Museum, Taiwan/Contemporary Ceramic Museum, Gifu, Japan
2005 Invitational World Contemporary Ceramic Exhibition:Trans-Ceramic-Art,
2005 The 3rd World Ceramic Biennale, Korea
2004 White Spectrum: Korean Contemporary Art and Joseon White Porcelain, Gwangju Joseon Royal
2004 Kiln Museum, Korea
2003 Korean Contemporary Ceramic Art, the 2nd World Ceramic Biennale, Korea
2002 Memorial exhibition World Cup between Korean and Japan: 11 VS 11, Seonggok Museum, Seoul
2002 Korean and 11 galleries, Tokyo, Japan
2002 East of the Yellow Sea, ddm warehouse, Shanghai, China
2001 World heritage Ceramic exhibition, the 1st World Ceramic Biennale, Korea
2000 Cultural event: Artists studio visit program, The 3rd Kwangju Biennale, Korea
1999 The 25th Anniversary of Whanki Passed away: Odd to White Porcelain, Whanki Museum, Seoul,
Korea
1998 Prix-Whanki: Seoul, Tokyo, Berlin, Whanki Museum, Seoul, Korea
1997 Exchange exhibition between Korea and Australia: Sense
1997 Whanki Museum, Seoul, Korea and CCP, Melbourne, Australia1997
1996 Picasso’s Lithography and Ceramics, Whanki Museum, Seoul, Korea
1995-1999 Series exhibitions: Examination and Groping for young Korean artists
Whanki Museum, Seoul, Korea 

 

 

 

策展人:李振华(中国)

1975年生于北京。现任北京皇城艺术馆执行馆长。里昂纳多学刊顾问。 成立北京互动媒体实验室。

 

主要

策展:

2008《中国 中国 中国!!!超越中国艺术市场的练习》(意大利)

2007《可持续幻想》中国媒体艺术展览系列1999-2007(中国)

2007 综合媒体艺术实验室暨论坛,中艺博国际画廊博览会特别项目(中国)

20062007《浪潮》中国实验短片1997- 2004(中国-美国-匈牙利)

2006 《莫斯科摄影双年展》俄罗斯

2004 窗外-散漫的空间,多媒体展览,日本东京/韩国汉城/中国北京

2001 藏酷新媒体艺术节,北京

2001《报应》系列展览,由乌尔善、刘韦华、邱志杰、石青、张慧、王卫、赵亮参加,芥子园,北京
2000《声音》中国当代美术馆,北京

1999《文化·生活》北京

 

文章出版于:

EIKON(奥地利)、《

纽约艺术》(美国)、BT美术手帖(日本)、ARTiT杂志 (日本)、青年视觉(中国)、新潮(中国)、周末画报(中国)。

 

Li Zhenhua ( China )

 

Born in 1975 in Beijing , lives in Beijing .   Executive Director for Beijing Art Museum Of Imperial City .   Leonardo Journal Advisor  

 

 

Curatorial Experience:  

2008 ChinaChinaChina !!! The practice of surpass the art market of China (Italia)  

2007 Sustainable Imagination-Media Art In China-Exhibition Series: 1999-2007, Arario Gallery , China  

2007 Multi Media Arts International Lab and Forum, CIGE China  

2006 Moscow Photo Biennale , Russia    1997-2004 (China-USA-Hungary )  

2006 The Wave, Walker Art Centre, USA
2004 Out The Window-Space of Distraction, art exhibition, Tokyo, Japan / Seoul, Korea/Beijing, China
2001Loft New Media Art festival, Beijing
2001Nemesis Project, MSG, Beijing
 

2000 Sound, China contemporary art museum, Beijing  

1999 Life or Art, Beijing

 

 

 

 

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